1920 EVIL RETURNS MOVIE ON YOUTUBE MOVIE
Several scenes within the movie are identical to scenes in The Exorcist, The Exorcism of Emily Rose, Stigmata and One Missed Call. One of their most challenging scenes in the film was to recreate Mumbai's Victoria Terminus as it was in 1920. They made use of techniques such as chroma, rotoscoping and wire-rigs for levitation. Using this, they were able to make glasses break and generate smoke. During their work, the film was treated digitally using a specialized software. When they approached Bhatt and showed him samples of their previous work, they were hired with the instructions that he expected good, international quality work. To further enhance the effect of horror for this film, Ashoke Chowdhury and Indraneil Roy were hired to work on the visual effects. The entire shoot was completed in a 12-hour night shift for 18 days during the winter. To achieve this, instead of resorting to computer graphics, he asked Anjorie Alag, the supporting actress to pose for five hours in front of an artist. In addition, he wanted to establish the same style of portraits of this period. Director Bhatt watched a lot footage of true accounts of poltergeists and hauntings. At the same time, they hoped to fill every frame with artistry and create the eeriness of a cold haunting.
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One of the producers of the movie, Surendra Sharma, said "never has a supernatural thriller been attempted in a period setting and made at this scale." His father- cinematographer Pravin Bhatt and he decided to shoot in candlelight to recreate the conditions during the year of setting – 1920. When they attempted to take a photograph of this portrait, the picture always came out blurred, no matter what angle they took it from. Inside the mansion, a huge portrait of the lady is hung on one of its walls. Bhatt and Sharma experienced an unusual incident while filming at this house.
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The carpenter's spirit is rumoured to be haunting the place. This mansion was owned by a billionaire who lived with his wife, and he killed a carpenter. When Bhatt saw the images of this house, he was convinced that it would be the real protagonist of his film. įor scouting for an appropriate location for filming, the production house hired six location managers who visited about 12 countries over a period of six months before settling down on Allerton Castle, North Yorkshire, England. While filming, both of them felt quite comfortable working with each other. India title, was a New Delhi-based model in the fashion industry. Sharma found Bhatt to be a very calm, composed and patient director to work with.
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For their enthusiasm and efforts, Bhatt was delighted to work with them. Instead, when Rajneesh Duggal and Adah Sharma came to his office, his search for the lead cast ended. Though Bhatt was looking to cast newcomers, he did not conduct any auditions for the film. Claiming it to be his most ambitious project to date, Bhatt took a year and a half to complete the script, which was more powerful than his earlier film Raaz (2002).
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His want to make a horror film stemmed from the visuals of a chariot riding through the mist that constantly played in his mind. Speaking in corroboration, Bhatt felt the need for introspection for making inconsequential cinema. Director Vikram Bhatt's previous films Aap Mujhe Achche Lagne Lage (2002), Deewane Huye Paagal (2005) and Life Mein Kabhie Kabhiee were termed as box-office failures in the media.